This volume brings together three short novels of around 150 pages each: The Prince in Waiting, Beyond the Burning Lands, and The Sword of the Spirits. The saga is set centuries in the future, in a Britain that has recovered from a natural disaster of apocalyptic proportions. Civilisation somewhat resembles the feudal medieval period. Each city, walled off from all others, is individually governed by its prince. And in summer, cities go to war with each other, more for custom’s sake than for conquest. There is no king governing the land. Machines are forbidden, because of the Disaster, and all fighting is done with bows and swords, all travelling by horse. Among people, classes are divided into humans, dwarfs, and polymufs – those unfortunate enough to be born with mutations and whose role in life is confined to servitude.
Each city has its own Seer, who speaks on behalf of the Spirits – strange disembodied apparitations that appear to men in Seance Halls. Luke Perry, a young nobleman of the city of Winchester, is proclaimed by the Spirits to be Prince in Waiting, and it is propesied that he will become Prince of Princes, ruling the whole land. But what are these Spirits? Real beings from a higher plane, or something else? Luke is soon to find out.
The saga takes many twists and turns, involving politics, war, friendship, love, and betrayal. The reader is guided through several strange and unusual cultures, as Luke’s quest take him far from his city, crossing the Burning Lands, a volcanic area separating Luke’s homeland in the south from the land of the Wilsh in the north. As a book marketed for children, the content is really quite grown up. Luke himself is nothing like a child of our own culture, and in some ways I found it difficult to be sympathetic with his cause at times. Culture clash is a prevalent theme, and the reader is invited to observe that a custom is not necessarily right simply because it is one we happened to grow up with. Another theme is the two-edged sword of technology – its benefit to society measured against its use as a tool of conquest, not forgetting its use as a means to manipulate the “primitive” mind. I’m reminded of Arthur C. Clarke’s quote: “Any sufficiently advanced technology is indistinguishable from magic.”
The whole story is not quite as epic as Christopher’s The Tripods, but holds its own as a thoroughly engrossing tale, one that gets more interesting with each subsequent book. There’s enough good story material in here to span one of those big multi-volume sagas that are typically over 300 pages per book, as is the trend with modern fantasy writing. But I much prefer Christopher’s brevity. The Prince in Waiting Trilogy is an intelligent, gritty, violent children’s fantasy saga, and if that doesn’t sound politically correct, it’s not meant to. Recommended for all ages.